36
film and series titles
Photo and video production
Our people also work on films and series for Netflix. We shoot campaigns, product and corporate content with our own studio and equipment, from one key visual to a production plan for the whole year.
Request a productionContent planned before the shoot starts
The most expensive thing is a shoot that has to be repeated and footage that fits no format. So we decide on the result in pre-production: what will be made, where it will go and what it will cost.
We have our own studio, equipment and team: camera, light, drone, sound, editing, VFX and colour correction. One shooting day can thus yield outputs for the website, social media, print, catalogue and trade fair screens.
For companies that need content regularly we offer an annual production programme. You do not start production from zero each time and you have a plan for the whole year and one contact.
Our people work for Netflix
Part of the team works on feature films and series for Netflix and major studios: camera, sound, VFX and post-production. Your campaigns get the same craft.
9
titles for Netflix
10+
years in film work
Titles for Netflix
- Peaky Blinders: The Immortal Man
- Rebel Moon
- Spy Kids: Armageddon
- The Gray Man
- Open Your Eyes
- Altered Carbon
- The Letter for the King
- Stranger Things 3
- Marco Polo
More films and series
- Game of Thrones
- Black Panther
- Wonder Woman
- Wonder Woman 1984
- The Flash
- Aquaman and the Lost Kingdom
- Black Adam
- Fast & Furious 9
- Babylon Berlin
VFX studios
- DNEG
- Scanline VFX
- RISE
- UPP
- Magic Lab
Individual credits of team members. Film and series titles belong to their respective owners.
When it makes sense
You need content every month
Product, manufacturing, people, events. Without a plan every shoot starts from zero and takes more effort each time.
One production has to cover everything
Print, social media, web, catalogue and trade fair screens. We plan the outputs before the shoot starts.
You are heading to a trade fair or tender
Product videos, screen loops, photos and materials that arrive on time and in the formats you need.
What we shoot for you
Annual production programme
For companies that need photo and video every month: product, manufacturing, people, events, vertical formats. A fixed monthly scope, one production plan for the year and one contact. You do not wait for a free slot or explain who you are every time.
from CZK 39,000 (≈ EUR 1,600) per month excl. VAT, minimum 6 months
Request the programmeCampaign production
Key visuals, campaigns and spots for brands and agencies, from concept and storyboard to final formats for all channels. For agencies also white-label production under their name.
from CZK 80,000 (≈ EUR 3,200), most often CZK 120,000–350,000 (≈ EUR 4,800–14,000) excl. VAT
Request a campaignTrade fairs and sales
Product videos, screen loops, photos and tender materials that arrive on time and in the right dimensions. It follows on from general contracting of a trade fair, so the content fits your stand exactly.
Defence and tactical sector
The specialist BLACKONE team with real operators and a film crew works for manufacturers in this field. Details of gear and equipment thus hold up in front of an expert.
What exactly is in scope
From one product shot to a campaign with a full crew. Everything under one roof.
Pre-production
- Concept and script
- Storyboard
- Casting and locations
- Shooting schedule
- An itemised budget
Shooting and photography
- Our own studio and equipment
- Camera and lighting
- Drone and FPV
- Sound on location
- Product photography
Post-production
- Editing and colour correction
- VFX and compositing
- Sound design and mix
- Photo retouching
- Subtitles and language versions
Outputs
- Spots and corporate videos
- Vertical formats for social media
- Screen loops
- Key visuals and print data
- A photo library for your marketing
Every format from one production
We plan the outputs before the shoot starts.
One production
- Social media
- Web
- Catalogue
- Trade fair screens
How it often goes and how we do it
| How it often goes | How we do it |
|---|---|
| Every shoot is handled separately from scratch | One plan for the year and one contact |
| Formats get discussed after the shoot | Outputs are set before the shoot starts |
| The budget swells during the shoot | The itemised budget is ready up front |
| The crew consists of whoever happens to be free | Our own people, equipment and studio |
| Source files stay with the production company | Open files and source files as contracted |
What you get
- An itemised budget before the shoot
- Outputs in every format the campaign needs, including print data
- Open files and source files as contracted
- One contact throughout the job
- A shooting schedule and list of outputs up front
- Footage ready for further use
We never start a shooting day with open questions
-
01
A brief you can come back to
The goal, audience, output formats and budget frame. In writing. The finished work is then measured against this document.
-
02
Pre-production: the cheapest place to make a mistake
Storyboard, casting, locations, lighting plan, schedule and an itemised budget. This is where a fix is free.
-
03
Shoot, finish, hand over
The shooting day to plan, post-production, retouching and colour correction. Handover in all the agreed formats.
What it rests on in practice
Film craft for corporate content
Our people also work on films and series for Netflix and major studios. They bring preparation, work with light and post-production quality from there to corporate and product jobs.
One production, all channels
You cannot make a horizontal spot from a vertical shot and vice versa. When we plan formats up front, we shoot so that they can be used everywhere. One day then yields content for a long time.
Product and manufacturing without compromise
A technical product must be shown correctly and credibly. We understand that a detail can decide on trust, so we go through manufacturing and the product with your experts before the shoot.
White-label for agencies
The agency keeps the client and the creative, we deliver the production. We work under your name and do not appear to the end client unless you wish.
70+
commercial productions in 17 countries including the USA
72+
campaign productions
100 %
copyright transfer
Frequent questions
What if we only need one campaign?
Campaign production starts from CZK 80,000 (≈ EUR 3,200), most often CZK 120,000–350,000 (≈ EUR 4,800–14,000) excl. VAT.
How long does the annual programme bind us?
The programme costs from CZK 39,000 (≈ EUR 1,600) per month excl. VAT, minimum 6 months.
Who owns the copyright?
For campaign production, we transfer the copyright in full on delivery.
Can you produce under our agency's name?
Yes. We do not appear to the end client unless the agency wants us to.
Do you shoot outside the Czech Republic?
Yes. We have experience with production abroad and settle travel and logistics in the budget up front.
Can we come to the studio?
Yes, by arrangement. You can also send the product and we submit the outputs to you for approval.
How many rounds of comments are included?
The number of rounds is part of the offer, so you know it up front. Thanks to an approved brief and storyboard, not many are usually needed.
Can you handle a small job?
Yes. You can start with one product or one shooting day.
What do you need to shoot?
Tell us what you need to decide, shoot, build or manufacture. The person who will lead the job will reply.